before i went out to see Astro Boy last night, I watched the movie critics on At the Movies tear the movie apart. They hated the movie, and said that it was confused, boring, and totally inappropriate for children. They appeared especially concerned with the violence, death, and questionable character motivations at the core of the conflicts in the film. although both critics suggested skipping the movie, their reviews actually intrigued me to give the movie a chance. As often happens, the critics got it wrong.
for the record, Astro Boy is loosely based on the archetypal manga and anime character of the same name created by the so-called "god of manga" Osamu Tezuka. the plot of the film takes place in the futuristic floating city/state Metro City, whose citizens live a fairly idyllic existence as they are waited on hand-and-foot by a race of robots of every conceivable shape size and function, while the city's refuse is dumped on the planet's ruined surface. When chief scientist Dr. Tenma's son Toby is accidentally killed by one of his experiments, the grief-stricken Tenma builds a nigh-invincible robot doppelganger of his son, loaded with a laundry list of high-tech super powers so that he need not fear losing him again.
Of course, things go awry and Toby finds himself at odds with his father and the militaristic President of Metro City and he is eventually cast out of the utopian society and down to the trashed-out surface world. Once there, he changes his name to Astro, and tries to come to terms with who and what he is.
at the core of the criticism of this film is one of the main problems with children's entertainment: people instantly assume that kids can't (or perhaps shouldn't) handle depth. the fact is this picture deals with some pretty deep stuff. Rejection, death, pollution, war, politics, scientific ethics, and of course, robots are used to allegorically address treatment of minorities, immigrants, foreigners, and the poor in general (fun fact: "robot" literally means "slave"). it's wrong to assume that children should not be exposed to these ideas, and the movie does a good job of making painful or provocative moments sharp, but brief. although Astro is tortured by things he is exposed to, he remains fairly upbeat and willing to be cheered up. he also shows character and willingness to sacrifice for the good of his friends, and society in general.
I found the design and animation in the film very satisfying. the filmmakers did a nice job of balancing comedy with sad and scary moments. The pacing of the film is designed to show us in escalating encounters what Astro is made of, and he shows himself to be a hero inside and out. Astro Boy uses cartoon-style science and politics, free from unnecessary complications that still can be related to real life. Astro Boy is a tightly-packed 94 minute film that animation fans and action fans should enjoy... and your kids will probably like it too, because it will tweak their sense of wonder without talking down to them.
holla!
-samax
#NowPlayingAtGhettoMangaHQ PERSPECTIVE by Blueprint
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A comment notification brought me back to the grown man rap joint
PERSPECTIVE, by Ohio indie hip hop mogul Blueprint, from his 2014 album, *RESPECT
THE ...
6 comments:
brother amen,
well lets be honest, disney and the deep southern adn midwestern parts of the united states have done well to maintain a utopian viewpoint of cartoon worlds. france has tintin and deauxma and japan have speed racer and gundam.
The united states cartoon and artists community have never been able to get past certain groups viewpoints about what kind of stories cartoons can present as well as firms[disney] who prey on that fear.
hanna barbera and rankin and bass are the two firms that did the most widely accepted challenges to the notions of cartoons being only for the pristine fantasy. The great johnny quest and hobbit cartoon are crowning achievements but today both firms are gone.
We rarely speak about how a lack of a real cartoon/comic industry hurts racial minority artists. milestone comics is the most successful example i can think of.
cartoons need to be allowed greater freedom but too many social groups and corporations profit in some form from the current status quo which is what the critics submitted.
great review! i will check it out!
mk- great response. i think people are ready for new models with animation. new technologies are likely to even the playing field some. and when something good comes out (like this) we should support it. the studios will try to replicate whatever makes money. that's why i encourage people to watch this one.
anthony - trust me, you'll like this one! come back and let me know what you thought!
I'm sold too. I can't wait to see this one.
thanks brother amen,
I agree, people have been ready for a while. I think though , even with lesser technology, it can be done. have you ever seen howls moving castle as a sequence of miyazaki's storyboard drawings.
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